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河鳗
2025 9.0分 剧情片
<p>&nbsp;父亲一去不返,原本在城市上班的阿亮,回到被遗忘的沙洲,寄居河边破房子,在垃圾场打工。岛民为土地公抬轿,被丢弃的神明都挤在寺庙中。阿亮发现神秘红裙女子漂浮于河上,她似乎有着不堪回首的过去,或许她根本就是河鳗化身?视觉艺术家朱骏腾首部长片,取景于台北市内遭限制开发逾半世纪的社子岛,建构如梦似幻的幽灵地带,以浓烈的符号和隐喻,展现实验风格,透过一段萍水相逢的奇遇,..
HD中字
旁观者2025
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<p>&nbsp;离家十六年的陈家辉(陈坤 饰)在得知父亲陈为民(王劲松 饰)病危后,重返故乡。但父亲未留下只言片语便匆匆离世。葬礼之后,陈家辉与哥哥陈家兴(王砚辉 饰)、姐姐陈家媛(刘敏涛 饰)在整理父亲遗物时,逐渐察觉父亲身上似乎隐藏着许多不为人知的秘密。带着困惑与心结,陈家辉开始探寻父亲生前的生活轨迹,试图拼凑出父亲真实的模样。在这个过程中,一段埋藏了16年的家庭秘密逐..
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照亮黑暗
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<p>&nbsp;Follows the relentless journey of a determined young woman as she unravels the disturbing truth behind a serial rapist.</p>
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自由
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<p>&nbsp;自打出演了《无耻混蛋》,法国女星梅拉尼·劳伦已经拍摄了六部剧情长片,大都是标准的法式剧情片。然而她一直有一个执掌动作大片的愿望。 她觉得在法国要实现这个梦想很难,法国可以拍出各种各样的小电影,你很容易成为一名导演。随着预算提升到某个数字,这突然成了一件非常困难的事。于是,借流媒体春风,她在网飞、亚马逊那里找到了机会。 为此,她接受美国电影工业残酷的一面:导演..
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好孩子2025
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<p>&nbsp;变装皇后家好与家人疏离,因妈妈罹患失智症需贴身照顾,才久违回了家。母亲记忆力衰退,不断提起家好童年轶事,耿耿于怀。有次家好忘记卸妆被母亲撞见,为安抚她,只好谎称自己是母亲失散多年的女儿,怎料母亲信以为真,令家好展开一段疗愈原生家庭创伤之旅。到底家好是否可以月圆?王国燊继《男儿王》又一变装皇后力作,联同新加坡视帝许瑞祺和《花路阿朱妈》洪慧芳,将新加坡变装皇后S..
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六个说谎的大学生
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<p>&nbsp;本片改编自浅仓秋成的同名小说,以就职活动为舞台,讲述了六个登场人物背后的面孔被巧妙地揭露的密室悬疑,以及由此揭开的六人的“谎言”和“罪恶”的真相,在高潮部分陆续埋下伏笔...</p>
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《拉莉萨》剧情介绍

西瓜影院提供影视作品拉莉萨高清全集在线观看的影视全集网,剧情片《拉莉萨》全集作品的导演是依莱姆·克里莫夫   ,由依莱姆·克里莫夫  Valentin Rasputin  Stefaniya Stanyuta  主演,拉莉萨在豆瓣的评分为3.0,本片由小编于2026-01-30 23:55更新,希望大家喜欢,可以把《拉莉萨》推荐给你朋友,本作品的地址为 https://www.19cb.com/19/40937.html

《拉莉萨》简介:  A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko&#39;s films, and her own voice is heard talking about her life and art.  Elem Klimov&#39;s grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko&#39;s collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko&#39;s premature death while filming her adaptation of Valentin Rasputin&#39;s novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko&#39;s work (Maya Bulgakova&#39;s pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa&#39;s most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko&#39;s You and I, Klimov dissolves between a series of personal photographs that encompass Larisa&#39;s entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov&#39;s Come and See, though by placing the scene first within Larisa&#39;s chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery&#39;s knife has cut.

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